Gallery 1  I  18 works I digital
Gallery 2  I  18 works I digital
Gallery 3  I  18 works I digital
Gallery 4  I  18 works I digital

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Andrč Russu

 



 

 

 

B. 25.06.1985
André Russu is residing and studying in London and Stockholm.

André earned his Bachelor of Arts (BA) from London Metropolitan University in 2006 and is currently completing his Master in Arts (MFA) at London Metropolitan University where is researching the application of heat-sensitive / liquid crystals materials (objects, installation and electronic music compositions) and film mahing.

André Russu at present curates and co-ordinates the Global Art Movement [GAM], the
Medialworks Interactive Art Competition [MIAC] for visual art, video, animation, sound, music, essay, poetry and fiction, the first interactive global art event in which contemporary artists are invited to show works on G.A.M.'s four virtual showrooms.
He is also the Director of MEDIALWORKS.COM and Ctrl28.com

Technique
Medial Art, Digital art, C-Print, Photograph, Installation, Object, Video, New Art, Digital  Sound

Art and Aesthetic Judgement 

 

To what extent and in what ways might the arts be regarded as a representation of reality?

 

 

 

to interpret all aspects of nature

Art is the means to interpret all aspects of nature, to capture an instant, the emotion of a face, the movement of the human form, the peacefulness of scenery, the joy of a flower.

 

Feelings and emotions all of the grandeur and majesty of Creation, transmitting the joy of life, interpretations of beauty, emotions and feelings, through colour, light and form.

 

The investigation and study of the aesthetical qualities of a work of art will allow us to understand exhaustively the processes of transformation and transfiguration of reality of a certain ideas developed by an artist.

 

 

What is the proper function of art?

 

The Revealing Power is the function of art, scripture, ritual and mediation

 

Art becomes a subject of knowledge, a phenomenon, or an idea because any artistic creation can not be considered separately, but should be thought of as a moment and a result of historical - artistic process in whose context we will be able to understand its full meaning. In this way the history of art itself becomes a way of researching and of viewing the world.

 

The Ancient Greek considered art as concept of imitation, purifying-or rather educationally role.

 

The Middle Ages emphasized the nature of the subordination of beauty to truth and justified art as an allegory;

 

The Renaissance considered art as imitation, and the principle of verisimilitude as its fundamental rule.

 

The modem aesthetics claimed that the autonomy of art is a form of pre-logical, intuitive knowledge, the creative faculty of which is imagination.


37

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980


38

c print 2002

in.39x31 /cm.100x80

US$ 2490  €uro 1980


39

c print 2002

in.39x31 /cm.100x80

US$ 2490  €uro 1980


40

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980

 

 
41

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980


42

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980

 
43

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980


44

c print 2002

in.39x31 /cm.100x80

US$ 2490  €uro 1980

 


45

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980

 
46

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980

 
47

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980


48

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980


49

c print 2004

in.39x31 /cm.100x80

US$ 2490  €uro 1980


50

c print 2004

in.39x31 /cm.100x80

US$ 2490  €uro 1980


51

c print 2004

in.39x31 /cm.100x80

US$ 2490  €uro 1980


52

c print 2004

in.39x31 /cm.100x80

US$ 2490  €uro 1980


53

c print 2003

in.39x31 /cm.100x80

US$ 2490  €uro 1980


54

c print 2004

in.39x31 /cm.100x80

US$ 2490  €uro 1980